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Trame Contemporanee, the show “Dose Anatomic Sound” with the choreographer and dancer Jaqueline Bulnés at the Babilonia Theater in Molfetta

Trame Contemporanee, the show “Dose Anatomic Sound” with the choreographer and dancer Jaqueline Bulnés at the Babilonia Theater in Molfetta
Trame Contemporanee, the show “Dose Anatomic Sound” with the choreographer and dancer Jaqueline Bulnés at the Babilonia Theater in Molfetta

A conversation between dancer and composer, combining choreography, voice and electronic music. The week of the Trame Contemporanee festival continues with “DOSE Anatomic Sound” (artistic direction by Marianna de Pinto and Marco Grossi) tomorrow, at 9pm, at the Teatro Babilonia in Molfetta: the protagonist is the Cuban-American choreographer and dancer Jaqueline Bulnes, soloist in the prestigious companies of Martha Graham, José Limón, Dance Theater of Harlem and Merce Cunningham Trust in New York, on a soundtrack created and performed by Danish composer Niklas Emborg Gjersøe.

The dancer’s sounds will be captured by stethoscopic microphones through a unique bodysuit designed specifically to record the performer’s breathing, heartbeat and choreographic rhythm of gestures and created by Karin Gjersøe. A performance with a highly interactive character to discover the complex and mutual influence between the external world and the internal world, which represents an exciting and lively experience for both the artists and the public.

From 17 to 21 June (at the Teatro Babilonia), Jacqueline Bulnés with the filmmaker, author and teacher Cristina Ki Casini, will lead “Written on the body”, a workshop that combines dance, writing and photography in a journey of research on identity.

We continue, for the first time in Puglia, on Sunday 16 June at 8pm at the Cittadella degli Artisti, with “The funny mystery” by Nobel prize winner Dario Fo, in the very successful interpretation of Matthias Martelli directed by Eugenio Allegri. A revival by Teatro Stabile di Torino for over 200 performances in Italy and around the world: the actor is alone on stage, without tricks, with the aim of involving the audience in the dramatic action, passing in a flash from comic joke to poetry , up to the human and social tragedy.

 
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