Tim Burton’s Batman remains simply unbeatable after 35 years

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Batman he needed a villainthat villain could only be the Joker. Jack Nicholson was already an absolute starone of the cinematic faces par excellence and it can certainly be argued that from a certain point of view, having chosen him for the role of nemesis par excellence of the Dark Knight, for the most iconic villain in comic book history, served to counterbalance the skepticism of some of the public for Keaton’s choice. The in-depth study of the character, also inextricably connected to the characterization he had made of it in the TV series Cesar Romero, bore fruit. This Joker begins as a criminal on the verge of a nervous breakdown, a Charming, ambitious, narcissistic gangster but still human, normal so to speak. Nicholson, at the moment of his character’s physical and mental transformation, unleashed his most irresistible jest, but always managed to convey a shiver of fear from his character. His Joker appears perpetually trapped in that distorting grimacesymbol of more absolute and unpredictable chaos that had ever been seen.

In Batman he wanders around like some sort of grotesque staris a childish and lethal demon, but the genius in the writing phase was that of make him responsible for the death of Bruce Wayne’s parents. It was one of the most apt twists in a film which, however, due to the balance of the narrative and the ability to give depth to both the protagonist and his nemesis, perhaps still remains unsurpassed today. If we talk about the sets, curated by Anton Furst, the costumes, the design of the vehicles (that Batmobile is still the most beautiful of all), then the word masterpiece can only be fitting. This Gotham City it was just not similar to the one conceived by Bob Kanegothic and dark, it is inside the legacy of hard boiled atmospheres and European noirwith veins cyberpunk very notable. A kind of all-encompassing uchronia. Season everything with an incredible soundtrack by Danny Elfman and Prince, and here you will have the perfect cinecomic, capable of attract both die-hard fans and the general public.

Since then one, none, one hundred thousand Batman

Put like this it might seem that the performance of Michael Keaton she was almost superfluous in this Batman, created by brilliant and competent minds, grafted onto meticulous aesthetic research. Among the lightning-fast lines of his villain is a beautiful one Kim Basinger However, Michael Keaton managed to become the most complete Batman of all time. He still is today despite his scant centimeters and kilos, he was so because he was armed with a monumental cinema face, with that jaw which, under a 15 kg costume, still manages to inspire more fear and charm than any other interpreter who imitated him. More importantly, Michael Keaton beyond build a source of inspiration as far as the archetype of the modern cinematic superhero is concerned, going beyond the obligatory crystallization of Christopher Reeve, he has been able to be not only a great Batman, but also a fantastic Bruce Wayne. Some shots, some scenes, still have today a unique ability to impact the spectatorby virtue of his extraordinary expressiveness, of his work in subtraction.

 
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