Selene Caramazza from Favaro in the role of her partner Paola

Selene Caramazza from Favaro in the role of her partner Paola
Selene Caramazza from Favaro in the role of her partner Paola

For the actress from Favara Selene Caramazza another important role on the big screen (this time in a biographical film dedicated to the queen of Italian rock, Gianna Nannini) which, about a month and a half after its launch, is among the most viewed on Netflix, the streaming which distributes it exclusively.

Selene plays Carla Accardi, Nannini’s partner who has been at her side for over 40 years. A woman saving another woman from a meltdown that could have had serious consequences. Instead, the accomplice of the “national Gianna” was able to bring it back to life. “Because being reborn – as stated in one of the film’s high points – is even more beautiful than being born”.

This is why the role of Selene Caramazza is so important: a key character not only in the story told in the “biopic” but also in the singer’s real life. “Sei nell’anima”, this is the title of the work directed by Cinzia Th Torrini, featuring Letizia Toni in the role of Gianna Nannini and Andrea Delogu who plays Mara Maionchi. We focus on the first 30 years of the artist’s life, from her childhood in Tuscany through an adolescence that clearly showed her rebellious heart and an uncommon determination. Up to real battles of youth for that girl who decided to break away from her authoritarian family to move to Milan and obtain, among a thousand difficulties, a recording contract.

Selene Caramazza, before “Sei nell’anima”, was highly appreciated in “Spaccaossa” by Vincenzo Pirrotta (2022) and in the TV series “The bad guy”, “Marefuori” and “L’Ora – Inchiostro contra lead” . The first film that brought her to the international spotlight, participating among other things in the Cannes Film Festival, was “Pure Hearts” (2017).

 
For Latest Updates Follow us on Google News
 

PREV Six Bruciamo Tutto activists arrested
NEXT Power to the People: “Maritime Park: yet another Ravenna farce”