From Clizia Incorvaia’s sincere tears for Eleonora Giorgi, to the sudden cold in the studio after Magalli’s joke to Pamela Camassa. What happened to The Good Time.
Riccardo Greco
Web Editor
He approached publishing by studying at the IED as Fashion Editor. He then specialized in Digital Communication, Journalism and New Media at La Sapienza, collaborating with some newspapers and press offices.
Today’s episode of The Good Time it made you smile and also reflect. In a study that has chosen to retrace the strongest emotions that came from the world of TV and entertainment during this 2025, of a guest, leaving too much room for maneuver to another. Let’s see what happened.
Clizia Incorvaia: the pain for Eleonora Giorgi at La time good
Among the most touching passages of the episode, the memory of Eleonora Giorgi represented a still open woundone of those absences that continue to weigh even months later. In Caterina Balivo’s living room, Clizia Incorvaia was unable to hold back her tearsletting the pain emerge. The first Christmas without Eleonora Giorgi has become the symbol of a void that is difficult to filltold with a simplicity that made the moment even more powerful.
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“I respected tradition, I organized Christmas dinner at home with the whole family; mine, that of my husband Paolo Ciavarro… Everyone was there and we spent the holidays imagining that she was there too and trying to be happy, just like she taught us.” A story that didn’t need superstructures, because the strength was all in the normality of the gesture and the fragility of the memoryin that idea of happiness sought even when pain risks taking over.
An example of an incredible life
The discussion then broadened, again to The Good Timeto a broader reflection on the figure of Eleonora Giorgi, not only as an actress but as a human example, far from any forced idealization: “She wasn’t always happy”, explained Clizia, “In life she was actually also very dramatic, he had a complex life, from a difficult childhood to heroin addiction. She carried those wounds in her heart and her smile with her child’s voice were a response to this drama.” There wasn’t even a critical note missing, pronounced with clarity and bitterness: “Cinema has been brutal towards him in recent years, but then everyone was at his funeral…”. Placing a criticism on the system and the way in which a character is often celebrated only after losing him.
Giancarlo Magalli’s joke to Pamela Camassa and the sudden cold
From emotion there was an abrupt transition to a moment of tension when, during the same episode of The Good Time, Giancarlo Magalli chose the path of irony during a skit with Pamela Camassa. The light atmosphere built up to that moment was shattered after a joke that left the studio suspended for a few moments.
“She’s very good; she knows how to sing, dance, act…”, said Caterina Balivo, introducing the discussion also linked to a possible new professional opportunity, with a reference to Carlo Conti and the orbit of Sanremo. It was at that point that Magalli intervened with words that shifted the attention to the private sphere: “She doesn’t last long with boyfriends, but otherwise, yes, she’s good…“. An exit that brought the frost down, thanks to the reference to recent breakup with Filippo Bisciglia. The reaction was not long in coming, Pamela Camassa chose the path of irony to defuse the moment: “What are you saying, it lasted longer than a marriage!”. Immediately afterwards, addressing Giancarlo Magalli, she added: “You are dangerous”, specifying however, with a smile, “But in a positive sense”. Caterina Balivo tried to patch things up with a final line: “Nothing, just keep talking to each other…”.
