A festival to enhance the area of “blue clay gullies”as defined by Leonardo da Vinci in the well-known “Hammer Code”, that geographical area included between the territories of Faenza, Brisighella, Riolo Terme, Castel Bolognesein the province of Ravenna, where panoramic terraces, breathtaking views, precious clays, thermal water sources, vineyards and valuable crops alternate and which is the subject of countless stories, narrations and legends.
The gullies are what remains of the sandy bottoms of the prehistoric sea of millions of years ago and are now an area that is home to brooms, orchids and species that grow only among these clays, such as Cretaceous artemisia. In just a few square kilometres, this area therefore contains naturalistic and cultural wonders, and is a source of inspiration for many artists, in particular for Carlo Zauliamong the most important ceramists and sculptors of the twentieth century, who dedicated a large part of his work to these lands, citing them plastically in his monumental sculptures.
The press conference to present the third edition of the Calanques and Blue Clays Festival, scheduled from 20 June to 4 July and from 19 to 26 September 2024was held this morning in the Region, in the presence of the Councilor for Culture and Landscape of the Emilia-Romagna Region, Mauro Felicorithe mayor of Faenza, Massimo Isolaand the director of the Museum Carlo Zauli, Matteo Zauli.
“A project of cultural tourism and valorisation of a territory in which culture becomes an expression of the landscape – said the councilor Happy-. This Festival has an educational and laboratory vocation, which involves schools, academies, training courses, individuals, groups, cultural associations, with a style that has the symbolic value of the harmony between man and landscape, between culture and nature”.
“The Festival of Calanques and Blue Clays is a pleasant surprise that is consolidated,” he underlined Massimo Isola, mayor of Faenza-. Born as a laboratory project, in just three years it is consolidating itself as one of the most innovative and strongest cultural events in the city. It is an event that seeks to bring together the valorization and promotion of the creative, cultural and Faenza fabric with that of the landscape. The gullies are by definition the meeting between nature and culture, which generated the material that man was then able to transform into ceramic. There is a thousand-year-old civilization behind the gullies: they were the place of clay production, but they were also the place of the aesthetic and pictorial imagination of our lands, experienced for their extraordinary landscape potential. This initiative brings together many different languages with a contemporary spirit.”
“Many stories and legends were born in the lands of the badlands,” he added Matteo Zauli, director of the Carlo Zauli Museum. And it is here that in Roman times the clays of the gullies began to be used to produce ceramics, which would later become famous throughout the world during the Renaissance: the Faenze. Even Leonardo da Vinci in the Hammer Codex, the most precious document in the world, mentions this landscape, giving these lands the name that still distinguishes them today. But even after Leonardo, the gullies have continued to inspire many artists at all times. Carlo Zauli, for example, had a unique bond with the gullies, which he considered a true landscape of inspiration, mentioned several times in his monumental sculptures”.
