Albissola Marina. Bruciati – Green light to the study is the new exhibition curated by Fiammiferi, which will inaugurate on Saturday 8 June, at Casa Museo Jorn, the event sponsored by the Municipality of Savona and created in collaboration with Casa Museo Jorn and MuDa, with the support of Centro Copies of Servizi Buffetti and 21/23 Laboratorio Lievitati. 2/ Artists’ Club: Sylvie Duvernoy exhibits in Albissola Marina.
PRESS RELEASE – Bruciati will be inaugurated on Saturday 8 June – Green light for the studio, an exhibition of young creatives from Savona curated by Matchesin the evocative setting of Jorn House Museum in Albissola Marina.
The inauguration of the exhibition will take place starting from 5pm. The event will continue until 10.00 pm and will be accompanied by a live set – DJ set by Edoardo Nocco. A food & beverage service will also be offered, with baked products from our partners 21/23 Laboratorio Lievitati. The protagonists of the exhibition are the girls and boys of the 5Q class of the Arturo Martini Art School in Savona (Bonino Lorenza, Borrelli Giacomo, Bubba Alessia, Ciarlo Celeste Francesca, Demonte Sara, Di Stefano Giada, Ferrieri Michela, Frascadore Elisa, Frenna Alessia, La Bella Simona, Lavagna Fabio, Lucà Riccardo, Mazzanobile Giulia, Reshodko Ruslana, Senatore Angelica, Siri Syria , Tarditi Samantha), coordinated by the teacher Nadia Ploug Gardellawho will present their works in what was once the creative studio of Asger Jorn.
The exhibition, composed of works created with the most diverse materials and the most disparate artistic techniques, will be accompanied by the installations of the 1R and 2R classes of the same high school, coordinated by the teacher Ida Nicolucciand will remain open to visitors until Sunday 16 June, during the opening hours of the Jorn House Museum (Tuesday: 9.00-12.00 – Thursday: 15.00-17.00 – Saturday and Sunday: 10.00-13.00 / 16.00-19.00).
Bruciati – Green light to the studio is a project born from the desire to give voice and visibility to young local creatives, a bridge towards concrete artistic opportunities, offering them a space in which to freely explore their creative potential. The students were able to express their creativity by representing themselves, their world, their stories, their thoughts. Sometimes with great intensity, sometimes with great irony, the exhibition recounts universes and points of view that visitors will be able to explore through the expressions
creativity of the young people of Savona.
The choice of the Casa Museo Jorn location embodies the history and talent of a great artist, but also the indissoluble link between art and the territory. Asger Jorn he found in this house not only a home, but a place of experimentation and artistic creation. Today Burned wants to perpetuate this creative legacy to keep it alive and dynamic for future generations, promoting a multifaceted dialogue between past and future, in a place that continues to inspire creativity.
We look forward to seeing you at Jorn House Museumto discover the works of young creatives from Savona inside the artist’s studio, transformed by the students into an expressive stage, capable of bringing their creative spirit back to life.
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Matches – The project, curated by Teresa Raineri, originates from a university thesis which resulted in the exhibition of the same name, presented to the public in August 2023 in the spaces of the Episcopal Curia of Savona. The initial intent was to highlight the Under 30 artistic talent of Savona through a multidisciplinary exhibition. The success of the initiative led to the birth of a new association with the aim of creating an environment in which making art does not have to clash with the lack of opportunities in the area.
Fiammiferi aps was created to create, and itself be, a container to host and enhance the human resources of the Savona area and highlight them to fellow citizens. Bringing the public closer to the artistic-cultural sector with a clear narrative, inclined to listen and support the new generations and the new arts. The aim is to support young people who tomorrow want to study and work in this sector and offer new content to the public who are already users of the subject. For those who are not at all interested in art and culture, this could be an opportunity to get closer to something that, with less communication
dusty and simpler, it can become a pleasant experience for a wider audience.
Amici Casa Jorn Association – Founded in 2015 to promote knowledge and use of the Jorn House Museum, donated by the Danish artist Asger Jorn (1914-1973) to the city of Albissola Marina, the Association organizes activities for the study, reception and valorisation of the site throughout the year, involving the local, national and international community and also acting as a cultural mediator.
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2/ALBISSOLA MARINA/ Sylvie Duvernoy she graduated in architecture in Paris. She started working in France, but she then moved to Florence where she still lives work. She specialized in the representation of architecture, obtaining a PhD at the University of Florence, and for several years she has taught architectural drawing at the Polytechnic of Milan and at the Academy of Fine Arts of Sanremo.
Sylvia she is also a watercolorist and painter. His works – mainly landscapes and live portraits – have been exhibited in personal or collective exhibitions in Paris, Malta, Germany and Italy. With the watercolor technique he illustrated the book entitled “The Universe of the Small Principe” (written by Francesco Palla) which has so far been translated into five other languages.
Extract from a review written by Professor Ugo Barlozzetti, from Florence, on the occasion of an exhibition of portraits, in Florence in 2021
“The portraits constitute a further aspect of the research of Sylviain fact the subjects, the people, are caught in moments of rest or even meditation and at the same time far from posing, they appear alive and immersed in daily life in which a moment of pause allowed the artist to recover, very effectively , salient elements of character, those more specifically linked to communicating the same existential condition through physiognomic traits and gestures.
Four pieces are a sequence in the description of the environment where the creative and executive process is defined: a sort of documentary progression or rather the curiosity to retrace the dialogue of doing with ideating, according to conditions of light and time where an experience can emerge essential to give life to the work. The two portraits of the “time of Covid”, by Maira and Cant, perhaps constitute evidence of the start of a new path, not only as regards the subject but as an experimentation of techniques. In fact, the use of plexiglass as a support allows for double vision, with depth effects and a doubling of the usable perception. Thus the intensity of the investigation, intensified by forcing and synthesis and by the participation itself in the gesture of drafting an effective chromatic solution, evokes, refunctionalizing them, according to its own sign, aspects somehow recovered from expressionism and material research, innovating its poetic and communicative charge.”
