The news is strong: Tiziano Ferro competing at the Sanremo Festival 2025. Stop, but how? It is yet to be decided who will replace him Amadeus, February is not just around the corner, the Latina phenomenon is going through a difficult private moment due to the divorce from her ex-husband Victor Allen… So, how is it possible that someone says that Ferro will almost certainly land on Ariston as a competitor? First of all, let’s start by saying that someone who supports this is the journalist Grazia Sambruna who launched the news on the MowMag newspaper.
Sambruna reported that after probing the corridors of the musicbiz, that is, of the circles that count, has learned that in the recording sector the presence of the singer at the next Sanremo is taken for granted. Assuming this is the case and not granting it, it is necessary to explain how the selection mechanism for the Festival works. No, we don’t want to explain the rules. Everyone already knows that in broad terms. The singers send the songs and if they are chosen well, otherwise they stick to the tram and try the following year. However, there are artists, few obviously, who if they intend to take part in the event all they have to do is ask. Tiziano Ferro is one of these.
The same goes for the other giants: for example, if Cesare Cremonini or Eros Ramazzotti or Laura Pausini were to present a song to compete at the Festival, it is certain that, given the reputation and public following they enjoy, their text would be selected . Also because, let’s face it, an artistic director who would let such an opportunity slip away would be crazy. All this to say that if Ferro has decided to go to Sanremo, regardless of the song he will bring and regardless of who will have the task of composing the big cast, 99.9% of the time he will find the doors wide open.
This explains why we can already talk about Tiziano Ferro at the 2025 Festival, always taking at face value the indiscretion that the artist has shown his desire to get involved. But why would he have such a desire? If tomorrow the author of Sere Nere were to think of giving a concert in San Siro, would no doubt fill the stadium. In short, he has no such problems. However, there is one factor to consider: Ferro can easily do the stadiums because he lives on “income”. His latest works, however, have gone unnoticed. His career is not going to pieces. To argue this would simply be madness. But it must be said that a ‘relaunch’ would be a no-brainer. And Sanremo would be the perfect stage for such an operation. Mengoni docet!
