Pasquale Tina on Radio Marte: «Initially there was talk of not going. After the draw with Roma they changed their mind and Calzona took note of it”
Ci Napoli 02/21/2024 – Champions League / Napoli-Barcelona / photo Carmelo Imbesi/Image Sport in the photo: Francesco Calzona
Pasquale Tina, journalist from La Repubblica and Radio Marte, on the microphones of the radio station denied what was reported this morning by La Gazzetta according to which Calzona and the Napoli staff did not want them to be present at the official presentation of the championship film “I’ll be with you ” to avoid distractions in view of official commitments.
«After Roma the Napoli players changed their minds»
Pasquale Tina on Radio Marte:
«It’s true that initially there was talk of not going to the screening at the Metropolitan because there were fears of protests against the team, but after the draw with Roma the players changed their minds. The players were happy to go to the cinema and see Spalletti again. Yesterday morning everything was communicated to Calzona, who took note of it. From Napoli’s communication we know that the coach had a fever and for this reason he remained at rest. The players arrived at the Metropolitan in dribs and drabs to attract less attention».
Calzona didn’t want the players to go to the preview of the Scudetto film (Gazzetta)
Last night was the premiere of “I’ll be with you“, the film about the Scudetto won by Napoli. The Napoli players also participated in the preview, but risked not being there due to Calzona’s wishes.
He writes it “La Gazzetta dello Sport”:
Aurelio De Laurentiis and Luciano Spalletti (the most acclaimed upon arrival by the fans waiting outside the cinema) enjoyed the press and staff preview together in the heart of the city, for a product destined to also become a TV series: « There will be a further three hours in the series, and a wonderful thing about Spalletti’s last days” revealed co-producer Andrea Cini. The coach was emotional: «I will never get tired of looking at the beauty that these guys have created, because we know well that they are the protagonists of what happened. Did the director say that I was the great protagonist? He was wrong, because we always see that the protagonists are the players. If this documentary film were to compete for the Oscars, the protagonists would be them.”
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