Capo Plaza in Paris, the sexy barmaid and revenge porn

Many stories and investigations, reflections and controversies. Also in the episode of Hyenasaired Tuesday 30 April on Italia1 and conducted by Veronica Gentili and Max Angioni, the public was able to follow very interesting investigative and in-depth reports, also interspersed with bits of biting comedy and monologues from studio guests. Let’s see the best and most questionable things with the top and flop of the episode.

Le Iene, episode of Tuesday 30 April: the Tops

Among the most interesting services of this episode of Hyenas let’s put that of Nicolò De Devitiis who spent a couple of days in Paris with Cape Plaza, revealing a new side of the young rapper. Born in 1998, the artist, who has won 47 platinum records, tells of his origins in Salerno “We were four children and my parents earned 1300 euros a month, but I never lacked anything”, the move to Milan, from only, at the age of 20, and after his success, he had the whole family settle down with him in Milan. But the artist above all talks about insecurities. In fact, the first thing he tells Iene is that he is still very shy, that he is very anxious about being among people, that he doesn’t like himself and that he would like a bit of normality. In his service there is also his girlfriend Gaia, with whom he goes around, always hand in hand.

The service is also important Veronica Ruggeri and Carlotta Bizzarri which begins with these words from the protagonist of yet another story by revenge porn, Francesca: “I even thought about killing myself after seeing this video spread everywhere.” The video you are talking about is an intimate video sent by the girl to her then boyfriend in which she, with their song in the background, tried her hand at a striptease. The video was first put online, on local social groups, and circulated through chats and then even ended up on porn sites. And now Francesca, who also has the “guilt” of having constructed the character of “Sexiest bartender dItaly” on Tiktok, she finds herself being harassed even in her bar: “It happens that people come and ask me how much I get, like an escort.” No one in the village, in Gragnano, took her defense, as if it were her fault. No one believed that the diffusion of the video had been made against her will. Her grandfather welcomed her and made her understand that she shouldn’t feel guilty, also because of the prejudice that weighs on her girl who is the victim of a serious crime.

Top also at motivational monologue by Marcello Cesena, who says that, at 5 years old, he was thrilled at the idea of ​​playing Mastroianni as a child in the theater but then they took the part away from him. Years later, when he auditions for drama school they make fun of him for his voice, saying you’ll never make it, but he gets in instead. After two years a teacher tells him, again, that he has an absurd voice, then he writes him but the role is minimal and he wears green make-up to get noticed. And Albertazzi notices it in the audience and makes him the co-protagonist of a great production and says: “Since then it has always been like this. And since then I have understood: when they tell you that there is something wrong with you, don’t be scared, it just means that they have noticed.”

Top at the service that highlights another scourge linked to the Bridge over the Strait of Messina. A project that many would have liked to make reality in past years and which is now strongly pushed, among others, by Minister Salvini. An impressive public work which, however, brings with it many unknowns and problems, such as those described by the report Giulio Golia and Francesca Di Stefano who went to collect the testimonies of the hundreds of families from Messina and Villa San Giovanni (the Calabrian town where the bridge would arrive and where the ferries arrive today), who will be forced to leave their homes due to the expropriations, because their homes they are located in the construction area of ​​the large bridge. And we know what a tragedy these acts can be for those who are forced to suffer them for “public interest”. So it’s good to have told it.

Another important service that raises a lot of anger is that of Roberta Rei and Eleonora Numico on centers Narconon, drug and alcohol detox facilities that use methods that are singular to say the least, and which often worsen the complicated situations of those who rely on them. The two correspondents collected the testimonies of some guests and their families, all of whom agreed that they had not found the assistance they needed in the facilities because the Narconon method does not include medicines or doctors, but baths, isolation and massages. . A shameful way to take advantage of families in great difficulty also because the assistance from the public health service in these cases is insufficient and the families don’t know where to put their hands.

Flop

Let’s give a flop at the service of Matteo Viviani on the lake of bombs in Desenzano, simply because it seems a little confusing in its execution: the defense of the gentleman who goes to clean the beaches of waste despite the municipal ordinance which prohibits collecting anything on the shores of the lake which is full of war explosives, moves a the focus is a little too much on the real emergency. Throughout Italy, discoveries are still very frequent, especially in the countryside, but not only of unexploded ordnance from the Second World War which is still very dangerous. The finger must therefore certainly be pointed at the local institutions because a clean-up operation is urgent for the safety of the area. The gentleman who protests because they don’t let him do a “voluntary public service” work makes us sympathetic, but it seems like the least of this story and distracts us from the real problem.

 
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