There is no need to interfere in the new liaison between Codacons president Carlo Rienzi and Fedez, not even to make fun of his sappy narrative.
On June 26th we published an article, inspired by the personal blog of Carlo Rienzi or the President of Codacons. The author, who chose for himself the epithet of “Pain in the ass”, had in fact proposed the story of what happened to him while he was travelling towards Taranto: “The kindness of the train conductor who comes down for a coffee”, the title published on 20 June.
Our article was born from the fact that this simple story seemed to us to be much more, that is, a pretext to indirectly tell the new collaboration with Fedez – new and unexpected, given that the fight between the organization and the rapper was heated until very recently.
What Carlo Rienzi didn’t like
In fact, “it seemed to us” is not a correct expression, because it is Rienzi himself, the author, who gives the clue: the incipit of his story about the train conductor is rather obvious as a dig (as explained in our argument), and he himself then underlines which was headed to Taranto “for the sensational initiative with Fedez“. Fundamental information, in the context of a kind train conductor who gets him a coffee. Two days later, Carlo Rienzi published a new personal post entitled “Luckily there are those who think of the weakest“. The subject? “The initiative organized in Taranto and which involved Fedez in the field of the right to health and damage caused byIlva“.
Having linked that story (or rather, the two stories mentioned) to an assist for Fedez, Carlo Rienzi didn’t like it very much. To the point of dedicating a story to us on Instagram – not through his personal page (since it all started with a personal post of his) but through the official one of Codacons. And, to this story, we respond. Even if ours, unlike Rienzi’s personal blog, is an “unknown site”.
As anyone can see by reading our argument, the train conductor protagonist of the story has never been the object (and even less a negative object) of our words. Carlo Rienzi himself could have seen this, if he had read us carefully and beyond the title. Furthermore, the Instagram story itself once again exploits the contemporary tale of the train conductor for other purposes: the first time for an assist, now for an attack on our cruelty of spirit against a poor man. Finally, there is little to say about the undersigned’s lack of familiarity with the Italian language: that Rienzi did not understand anything of what I wrote is effectively evident – I have just demonstrated it.
