“Amadeus example of a normal person who seems like a giant in a world of amateurs”: the opinion of Corrado Tedeschi (who has something for everyone)

“He is the example of the fact that in a world of amateurs a normal person looks like a giant. So I don’t understand all this attention around Amadeus“. Who said that? Jimmy Fallon? No. Corrado Tedeschi. Of course, he is a long-experienced presenter but it must be said that his words a Mowmag they sound a little excessive. Because that’s not the end of Amadeus’ farewell to Rai and his arrival at Discovery: “I come from another era, so I don’t understand how there is all this interest in him. All this leaves me very perplexed, but I believe that a person like him is perfect for this era. Let’s not forget that he doesn’t fetch two lire, so money is always a good incentive to make this type of decision.” In short, a host who has created five very successful Sanremo Festivals, revitalized a prime time access format (Affari Tuoi), brought in millions of euros of advertising, according to Tedeschi “it is not clear why this interest”. Oh well.

There is no lack of traditionalism, for which Amadeus is “overrated” and “when I did television in the studio next door I had Raimondo Vianello or Mike Bongiorno, a completely different type of personality. Today the ideal host is a person who shouldn’t be annoying, so let’s say that Amadeus is not my genre. I am very amazed that all these millions revolve around him. Have the Americans arrived with Discovery and what do they offer us? Amadeus, Barbara D’Urso and Belen. Could this be the innovation? I dream of a television that has some flashes of novelty.” Who knows who told Tedeschi that D’Urso will arrive at Discovery, who knows. Does Fabio Fazio, also at Nove, like it? No, not even him: “And even there we draw a pitiful veil. Fazio left almost looking like a victim, when in reality he took a lot of money and took away the audience that Rai had given him in recent years. People should have a little more careful eye on what’s going on and become attached to the right people, even if I don’t know who at the moment. Returning to Amadeus, I would like to say that we live the same even if he isn’t there, exactly as we live if Fazio isn’t there asking questions from behind a desk. In short, who does Corrado Tedeschi like? “As far as information is concerned, Sigfrido Ranucci, absolutely. There were conductors like him. For the show, however, Rosario Fiorello. It’s difficult for me to be surprised by other presences, because I don’t see phenomena around.”