You can’t please everyone, the adage goes. And it also applies to the flight, the trio of pop-tenors who conquered the world public with the “bel canto” banner. An already solid career, despite his young age Gianluca Ginoble, Piero Barone And Ignazio Boschettowhich earned them the most prestigious stages in music.
Including theVerona Arenafor a concert-event with many illustrious colleagues which produced three special evenings on Canale 5. Suggestive title: All for one, like the musketeers. A way, perhaps, also to ward off the rumors of dissolution that have accompanied their appearances for months. The very positive one at the was no exception Sanremo Festival last February. And Verona was no exception either. A few “solo” performances by the three singers were enough to obviously fuel the most uncontrolled (and out of place, given the context) voices.
Equally frequent, alongside the enthusiastic comments, are the “artistic” criticisms of the various performances to the tune of some of the greatest classics of Italian and foreign music. An example? The cover Suspicious minds of the myth Elvis Presley. A cornerstone of “romantic” rock of all time as well as a vocal performance that would make the wrists (and uvula) of any singer tremble, even the most experienced. Well, on X there are those who praise it, underlining Ginoble’s passion for the King (a successful version of his is also circulating on social media Can’t Help Falling In Love), others joke in a rather dubious way. “Elvis will stay turning in his grave“. You can’t please everyone, it was said. But perhaps another saying also applies: good or bad, as long as you talk about it.
