“Will Angelina Mango manage to become the next Italian pop star in the world?” asks the New York Times

Seventh place at Eurovision is an important result for Angelina Mango who with her La Noia However, it impressed the international juries and the public and earned a place in the sun also in the international media. The singer-songwriter, meanwhile, is enjoying her entry into the top 200 of Spotify’s Global Chart for the first time, and is now in 124th place: a result that also gives her a vision for the future, since it’s not always a given enter this ranking. While waiting to understand if the Eurovision effect will also give her a top 100, for now Angelina Mango continues to conquer streams – Boredom is at 63 million, not far from her hit We’ll think about it tomorrow – and she also deserved a few words in more from the New York Times.

During the live broadcast of the American newspaper from Malmo, in fact, the journalist Alex Marshall has carved out a space for reflection on the singer-songwriter who, in addition to talking about the Lucanian singer-songwriter as “a rising star” (“Hers is the first performance that many people are filming” wrote the journalist) has also dedicated an update entitled: “Will Angelina Mango manage to become the next Italian pop star in the world?” referring to the artist’s performance and also making a comparison with what has happened in recent years, especially with Mahmood and the Maneskin, obviously.

The journalist starts from the premise that in recent years Italy has brought to Eurovision “artists who will become stars outside their homeland” – and here credit must be given to the Sanremo Festival and Amadeus – referring precisely to Mahmood and Maneskin: “Will Angelina Mango, representing Italy this year, follow their example?” the journalist asked himself when telling what the singer-songwriter’s story is, what the critics say in Italy and also talking about La Boredom and the death of his father: “‘La Boredom’ was an invitation to people to exploit moments of boredom for self-analysis, Mango said. ‘Sometimes we have to think about our past and everything bad that has happened in our life, so we can see the bright side.’

To date “La noia” has been certified double platinum, thus entering the top200 of the Spotify global chart in 22 countries (including UK, Spain, Germany, Austria, Belgium, Portugal, Holland, Denmark, Finland, Greece, Iceland and Ireland), in the top50 of Apple Music in 26 countries in the world and in the top50 on iTunes in 18 countries around the world. Mango’s Swedish performance was seen by over 20 million people via the official Eurovision profiles on IG and TikTok, awaiting the release of his first album “poké melodrama” (LaTarma Records, distributed by ADA / Warner Music).