Land locations are always leaden, it doesn’t matter whether you wander through the corridors of a crowded high school or in a bedroom: every room feels like a crypt. Because everything, according to the script, must be incredibly mysterious. Breakfast included. And this is also the “reason” why the interpreters whisper closely, they express themselves in “parseltongue”, that is, they hiss random words about fables without wolves and wolves without fables. Unfortunately, a leader of the pack never appears or, if nothing else, a director, an expert in diction, some pious soul entitled to save those involved from the massacre. Wolves, however, are not only liked by boomers on social media but also by our own screenwriters (coincidences?). For those who remember it, the series Curonalso on Netflix, was also based on the astonishing concept: “Inside each of us there are two wolves”. Fortunately, however, when faced with this Maker of Tears the spectator does not end up like Little Red Riding Hood, he does not allow himself to be swallowed up by atmospheres and dialogues thrown out with a trowel: he mocks them on social media, posting clips that seem to be taken from a trailer by Maccio Capatonda. If Maccio Capatonda had ever shot a My Chemical Romance video, something exactly like this would have come out. The desperate but tenacious attempt to seem dark and mysterious permeates the entire shot, becoming pure, albeit involuntary, comedy. Among the most successful of recent years, in any case.
The love between the shady Rigel and the nerdy virgin Nica is something incomprehensible, all tense sighs and zero facts. Bella Swan and Edward Cullen, at the time of Twilight, were practically the protagonists of a snuff porn. Lovers spend their time passive-aggressively disliking each other through voluptuous dirty looks since childhood. He tries to scare her by obsessively calling her a “moth” (?), she fights it, or is annoyed by it but, sometimes, has wet dreams that involve him. A second suitor intervenes, known at school, who by pure chance is not a werewolf, but an expert connoisseur of butterflies. And, obviously, his name is Lionel, like any average seventeen-year-old from Pescara.
Rigelio, Nica and Lionello form a love triangle held together by very insipid scenes in which, generally, it is night or raining. At the climax, the darkness obviously merges with the bad weather for the inglorious finale in which Nica makes her choice but, it goes without saying, she’s out of luck. Even the bar association – let’s not spoil too much, you’ll see – is interested in the liaison between the two (or three?) in any case: in fact, there is a scene in which, during an interrogation in the courtroom, a prince of the Court asks the protagonist if whether or not she is in love with Rigelio. As if she could constitute a crime and, perhaps, she is right after all. Although, in theory, she would be there to shed light on the past abuses of the Grave orphanage (greiv) of Pescara. Patience. Do we recommend watching this Fabricator of Tears? Of course yes, wolves and moths!
 comedy of the year – MOW){kind=link}