Cannes 2024, the complete program: it’s Paolo Sorrentino’s day

Director George Lucas will receive the honorary Palme d’Or

Toni Anne Barson Archive

Porco Rosso, Pompoko, Princess Mononoke, Chihiro’s Journey, The Wind Rises, The Tale of Princess Kaguya, The Boy and the Heron…These are all masterpieces created by the famous Studio Ghibli – embodied by two wonderful narrators of images such as Hayao Miyazaki and Isao Takahata – which the 2024 Cannes Film Festival has decided to “celebrate and thank for existing”.

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Cannes 2024, the expected guests

  • Léa Seydoux, Vincent Lindon and Louis Garrel For Le Deuxième Acte (The Second Act) by Quentin Dupieux;
  • Adam Driver, Aubrey PlazaJason Schwartzmann and Shia LaBeouf for Megalopolis by Francis Ford Coppola;
  • Maria Bakalovainteresting face of The Apprenticethe film about the young Donald Trump;
  • Barry Keoghan and Franz Rogowski for Bird by Andrea Arnold;
  • Léa Seydoux, Sandrine Holt, Diane Kruger, Viggo Mortensen, Vincent Cassel and Guy Pearce For The Shrouds by David Cronenberg;
  • Chiara Mastroianni For Marcello Mio by Christophe Honoré;
  • Margaret Qualley, Dennis Quaid and Demi Moore For The Substance by Coralie Fargeat;
  • Zoe Saldana, Selena Gomez and Edgar Ramirez For Emilia Perez by Jacques Audiard;
  • Emma StoneJesse Plemons, Willem Dafoe, Hong Chau and Margaret Qualley for Kinds Of Kindness by Yórgos Lánthimo;
  • Adele Exarchopoulos For L’amour Ouf by Gilles Lellouche;
  • Jacob Elordi, Uma Thurman, Richard Gere and Michael Imperioli for Oh Canada by Paul Schrader;
  • Kevin Costner, Sienna Miller and Sam Worthington for Horizon, An American Saga;
  • Anya Taylor-Joy and Chris Hemsworth For Furiosa: A Mad Max Saga;
  • Alicia Viaknder, Cate Blanchett and Charles Dance for She’s Got No Name by Peter Chan.

Cannes 2024, the selected Italian titles

Parthenope by Paolo Sorrentino

Filmed between Naples and Capri, Paolo Sorrentino’s film Parthenope tells, in the director’s words, “The long journey of Parthenope’s life, from 1950, when he was born, until today. An epic of the feminine without heroism, but inhabited by the inexorable passion for freedom, for Naples and the unpredictable faces of love. The real, the useless and the unspeakable, which condemn you to pain. And then they make you start again. The perfect Capri summer, as kids, wrapped in lightheartedness. And the ambush of the end. Youth have this in common: brevity. And then all the others, the Neapolitans, lived, observed, loved, men and women, disillusioned and vital, their melancholic drifts, their tragic ironies, their slightly dejected eyes, their impatience, the loss of hope of being able to laugh once again at a distinguished man who trips and falls in a downtown street. Life can be very long, memorable or ordinary. The passage of time gives the whole repertoire of feelings. And there at the end, near and far, this indefinable city, Naples, which bewitches, enchants, screams, laughs and then knows how to hurt you.”

 
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