This is the suggestion of Compass for future members of the newly created bicameral Covid Commission. We know that it hasn’t started yet, because the Democratic Party is obstructing and has not yet designated its members, who are being appointed at this time, but we’ll already give you some advice: at the first session, watch this film. It will be useful for orienting you in the long work that awaits you.
It’s about Not everything went wellwritten and directed by director Paolo Cassina and produced by Play Master Moviescheduled these days in various Italian cities (HERE the trailer, read the poster HERE, HERE the Bussola interview).
A highly analytical concentrate, of stories and data, on the terrible pandemic season, from lockdowns to green passes up to the tragedy of those injured by vaccines, told by the voice of real people who have experienced the other side of the coin of a narrative made of rainbows on the balcony , singing from the roof and impositions. A different narrative from the one that has been obsessively imposed by the media, less sweetened and more critical.
2 hours and 55 minutes of screening, but worth itten minutes more than Scarface which recently returned to theaters to celebrate the 40th anniversary of its release, but much less long than Once upon a time in America. Therefore, absolutely sustainable in the economy of the first session of the works.
That of Not everything went well it is a true document of cinematography independent created with the intention of telling the truth about the pandemic without political-media interests and which is in continuity with Cassina’s first work of this type, thatInvisible which has been shown to truly incredible audience success over the past two years.
Here, therefore, is an excellent tool for deputies and senators who will be part of the covid Bicameral to learn about the problem they will face and above all already have in video format a trace of the many things that during the pandemic season did not go – in fact – well at all. Starting from the health dictatorship that led millions of Italians to be vaccinated against their will and to suffer permanent and disabling adverse effects.
The first screenings took place last weekend (in Milan and Bologna) and the Compass – which appears several times with excerpts from some of our articles – went to see the film.
There really is everything: from the discussed origins of the virus to the illogicalities of the lockdown, the use of ministerial decrees, the coercive and contradictory measures, the exhausting obligation to wear masks, the closed churches, the denied funerals. And the songs from the balconies.
“But did everything really go well?”, asks Cassina through the narrative voices of this long journey into the depths of the pandemic, entrusted to journalists Tiziana Alterio, Angela Camuso and Marianna Canè. No, everything didn’t go well and Cassina makes those who have lost out the most from the pandemic season say so: such as the shopkeepers who, having accumulated debts, had to close.
The data on the failure of the lockdowns flows over the minutescertified by the experience of Sweden, the unreliability of swabs and masks with incontrovertible data, the Italian anomaly where more deaths than any other in Europe in relation to the population have been recorded. This is how the pandemic was: a gigantic problem of medical malpractice combined with irrational and liberticidal measures to depress the population and economic activities.
We have written it several times, but the film summarizes, contextualizes, gives an exhaustive and rapid picture of the enormity that was the pandemic with the critical gaze of those who have not only drunk the “syrup” of institutional sources. There is an important aspect that is striking about this film: there are no politicians, no authorities, no institutions commenting on this or that episode. Everything is told starting from the living flesh of victims, some of the vaccine, some of the lack of treatment, some of the liberticidal limitations and those who have lost their jobs.
Everything is documented, starting with the falsified numbers in counting the dead to arrive at the crazy protocol Tachipirina and watchful waiting (“an expression that does not exist in medicine”, comments Dr. Andrea Stramezzi), with precious testimonies from resuscitation doctors such as Stefano Manera who confirmed that the majority of patients arrived at the hospital too late, or in any case because they had not been adequately treated at home.
And then the great and unconfessed interest behind the administration of vaccines with the presence of speculative finance behind it Big Pharma which orients profit and not health, as Tiziana Alterio explains in her book “The vaccine god”.
Fear, terror, monothought, a monotonous vision, but the images of the large anti-green pass demonstrations are impressive due to the numbers that are always silenced or minimized by the large press, lavishly paid by the State (this is also documented) to spread the vaccine word.
Verb that is still dominant and strident with the moving roundup of injured people who tell their tragedies, starting with Federica Angelini, the first injured person to come out into the open and founder of the Listen to me Committee. It is she who was joined by Compass who, first, heard his desperate cry of alarm and it was she who shortly afterwards ended up being interviewed by Marianna Canè of Out of the corefirst journalist of a national TV program to give voice to those injured by vaccines and author of the investigation Aifaleaks on the cover-ups and omissions of Aifa and of Minister Roberto Speranza on vaccination ineffectiveness and insecurity.
Stories, more stories and public testimonies from citizens in flesh and blood, human beings, who trusted the State and today pay the highest price for this madness, but remain forgotten and reviled even today.
After four years, some wonder whether it is still necessary talk about these facts. Yesterday the Courierreporting an analysis of theEconomist he wrote: «It emerges that the vaccines, which have caused victims, have overall protected the population from much worse consequences.” A utilitarian and eugenic vision that tends to archive the tragedy of the damaged, dead or disabled as a physiological side effect.
Yes, evidently, with articles like thisthere is still a need to talk about these dramatic facts.
