Bari is preparing for Vasco’s poker dates. And in the meantime he announces new concerts in 2025

Bari is preparing for Vasco’s poker dates. And in the meantime he announces new concerts in 2025
Bari is preparing for Vasco’s poker dates. And in the meantime he announces new concerts in 2025

BARI – Bibione, Milan and Bari are the cities that won “the most powerful and exciting rock show in the universe” this year, but Vasco already has the dates for 2025 ready: Turin (31 May and 1 June), Florence (5 and 6 June), Bologna (11 and 12 June), Naples (16 and 17 June), Messina (21 and 22 June) and Rome (27 and 28 June), 12 appointments between north and south.
Tickets for Vasco Live 2025 will be available as a preview for the Blasco Fan Club from July 8th, while general sales start at 12pm on July 12th.

Meanwhile, the “Vasco RockMusic week” is coming to an end, seven concerts at San Siro for over 400 thousand fans who set the stadium and Milan on fire night after night. Seven times sold out (like the first time in ’90, also the third tier), which brings the number of times that the Komandante has taken possession of San Siro to 36 (from 1990 to today). Nobody before him.
After Milan, the gang moves to the San Nicola stadium in Bari for 4 concerts on 25, 26, 29 and 30 June, with another 200 thousand fans who will be added to those in Milan, for a total of 600 thousand.

Meanwhile, the video of the Bollicine remix has also been released, inspired by the original scenography of Vasco’s 1983 tour. The video – produced and created by Chiaroscuro Creative – is a motion graphic creation that combines the images projected in 1983 with technology modern, while completely immersing itself in the aesthetics of the time. Arturo Bertusi – historic collaborator of Vasco and director for the eighth time of an unreleased video by Vasco, tells how it was born: «The slides were created by photographing the screen of a cathode ray tube television connected via an antenna cable to a ZX Spectrum computer, and we followed, in part, the same process. Well, we managed to remain faithful, even philological, to the original, thanks to a teleportation in time and now we are in 1983.”

 
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