Annalisa at the Verona Arena: “There is no room for judgment but only for being happy’

Annalisa at the Verona Arena: “There is no room for judgment but only for being happy’
Annalisa at the Verona Arena: “There is no room for judgment but only for being happy’

Like a Venusian she descends from the planet Pop among her people. Annalisappears suspended in the air to inaugurate what is his first Arena in Verona and presents himself, caressing the stage, parading among his dancers, arranged like cuirassiers, to the tune of Euphoria. Amphibians and a black leather outfit are his first choice. The big screen behind her will accompany her all evening with images of her in different looks and abstract figures, a bit of a space storm and a bit of abstractionism, always beautiful, always intense but never intrusive. The show goes on with The Crisis in Saint Tropez which follows If I had a heart and that I would love you underlined, strengthened by imaginative and floral images. She is alone at the front of the stage. He asks the audience to scream with her if I had a heart. It’s time to become aware of what is happening. He stops, looks around and you can see that his breath goes into emotional arrhythmia for a moment: “So much stuff, a full Arena just for me, I’ve been waiting for this moment for a long time and I don’t want to miss a single second of this special evening: you You surprise me and I want to reciprocate by surprising you. They are unique moments, so sing and dance. Here there is no room for judgments but only for being happy: welcome to the vortex.” And to increase the centripetal force that it brings you perform A tomorrowI alone on stage. The first surprise comes on the notes of Yet Feeling which is also a chromatic game: Nali in black ed Elisa in total white: “Magic – he comments Annalisa– I’ve dreamed of singing it with you for a long time and it’s magnificent.” She is visibly moved. “Enjoy everything”he comments Elisa leaving the stage. The dancers return for Lonely girl followed by, with the video wall that seems to polymerise, Life Management And Slow Movement. Second guest of the evening is Irama: they propose The Genesis of your Color.

First change of look: still black but no more skin, Annalisa he’s wearing a lighter, summery, high school outfit. Accompanying the metamorphosis could only be the universal Bye-bye which makes the whole Arena stand up and dance. On Coral red he asks the audience to clap as he tackles Tsunami alone, a goddess who counters the force of nature: the Arena is illuminated by cell phones. Throw a rave my love which anticipates the third surprise: it is about Herniatogether they have fun and have fun on the words of Superclassic: “Ernia and I have known each other for a short time and I immediately wanted to do something together,” he comments Annalisa. Which he then adds: “To understand the greatness of this evening we must remember where we started from. His journey back in time is two medleys stitched together Diamond She and light He, A Window between the Stars, Without Reserve, Wind on the Moon and the masterpiece of Police Walking on the Moon. One of the most emotional moments of the evening in the Arena is the duet with Tananai in Tango: a small, great masterpiece. We are moving towards the finale but the apparitions are not over yet: Annalisa sing Naked and meanwhile images of her at different moments of her life flow on the screen. The third change of dress gives her to us with transparencies and diamonds: she is one Star as his song is titled, which follows Bubbles: she stops in ecstasy to look at the audience and, excited, screams “you are beautiful”. The final surprise is called Georgiethe chosen song How could I: “It’s the first song I sang in public, I was in middle school, and it was the first time anyone thought I could have a future. My parents who are in the audience can confirm this.” The sequence is a party Tropicana And Disco Paradise then, surrounded by her magnificent dancers, Annalisa sits at the piano for The world before you And Ten. He gives himself away, gives us his interpretation of Sweet dreams of the Eurythmics and with Eve + Eve, which is designed like a silver sabbat, greets an enraptured audience. But, as the script dictates, it’s not over: it reappears, gracefully, to the rhythm of Beautiful, sincerely And Violent Indigo. The final dedication, however, could only be one: sincerely yours.

in-depth analysis

Radio Italia Live concert on May 15th in Milan

 
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