Diego Lazzari’s entry into Amici
The entry into the school is causing discussion Amici of a famous TikToker: on September 26 Rudy Zerbi said “yes” to Diego Lazzari, a 24-year-old singer who has over two million followers on social networks. This decision has already generated controversy among fans and professionals, who raise questions about the justice of this choice, arguing that it could disadvantage other students who cannot count on such a substantial following.
Deals on Amazon Prime
Last updated on 29 September 2024 15:10
The 24th edition of Amici it has just begun but the teachers’ choices are already at the center of the discussion. Lazzari, known for his music and his love life, which saw him linked to Camilla De Pandis and in the past with the influencer Elisa Maino, entered the talent show mainly thanks to Zerbi’s favorable votes. The young singer’s enormous presence on social media represents an exception in an environment where most students take their first steps in a musical career.
The presence of such a popular character in the Amici school marks a significant change compared to the past, where aspiring artists built their fame starting from talent and musical ability, rather than from an already consolidated online notoriety. This addition of already established celebrities raises questions about the direction the talent show is taking.
Reactions on social networks
Since the news of Diego Lazzari’s entry into Amici began to circulate, social networks were ablaze with comments and reactions from viewers. In particular, Platform Users expressed themselves with phrases such as: “But he already has 2.2 million followers on TikTok alone“, “What a circus”e “From tiktoker to singer it takes a moment”highlighting the skepticism towards a phenomenon that seems more linked to online fame rather than genuine musical talent.
In particular, many users underlined the embarrassment of seeing a competitor with so many followers compete with students who have invested time and effort to make themselves known in the musical context. Comments like “What a joke” e “We have hit rock bottom” they reflect the discontent of a part of the public who feels alienated from this new selection paradigm, where social notoriety has become a determining factor for access to the program.
The disappointment is not only for the lesser-known students, but also for the very future of the program and the original idea of emerging talents.
However, the strong reactions on social media are not limited to criticizing Lazzari’s entry; They also highlight a broader discussion about the meaning of talent in an age where social media presence can yield instant popularity. Detractors argue that this can lead to a vicious cycle in which producers and teachers favor the careers of those who already have great visibility rather than those who actually have something to prove musically.
The phenomenon of the children of art
This year too, Amici is enriched with a well-known face, contributing to the debate on the entry of already established figures or those with ties to the world of entertainment. In addition to Diego Lazzari, in fact, another young talent attracted the attention of fans after the recording of the first episode: Ilan Muccino, son of the famous director Gabriele Muccino. This presence underlines the growing trend of “children of art” in talent shows, a phenomenon that has its roots in the Italian tradition of some successful programs.
Ilan Muccino’s entry as a competitor brings with it a series of implications, not only for the young artist, but also for the other students at the school. The competitive dynamic is enriched by a personal and artistic history already linked to a well-known name, arousing on the one hand interest and on the other criticism from those who fear that this could stifle the talent of new emerging artists.
Rudy Zerbi and Anna Pettinelli were in favor of Muccino’s entry, thus indicating a trend towards identifying talents with a family background already established in the sector. With this new edition, a program is outlined which, while remaining faithful to the search for new voices, moves towards a lightening of the idea of ”emerging”. Ilan will also have }); the responsibility of choosing his own tutor among the teachers who want him on their team, making the story of his journey in the school even more interesting.
However, the question of “children of art” is not without controversy. Many fans and critics point out that entry into entertainment often comes through recommendations and privileges, rather than merit. This opens a debate about how genuine talent can emerge in a context where online visibility and family connections can influence artistic decisions, generating concerns about meritocracy in the contemporary music landscape.
The controversy over popularity
The choice to admit Diego Lazzari to the school of Amici not only sparked disbelief among fans, but also sparked heated debate about the implications of popularity in a talent show candidate. The arrival of an already established figure on social networks, with a following of over 2.2 million followers, raises fundamental questions about what ‘talent’ really means in the current context of music and entertainment.
Many viewers have wondered whether it is fair that an artist with such a large fan base should be able to benefit from opportunities that are denied to other competitors, even though they may have equally valid musical potential, but without the same visibility. The frustration in social media comments highlights a widespread feeling of injustice, with observations such as: “What a circus” e “Never seen a student enter with already 900 thousand followers”. This highlights a worrying trend, where notoriety on TikTok and Instagram becomes a determining factor for success, rather than the dedication and work you put in to hone your talent.
Additionally, there is growing concern that the presence of contestants like Lazzari could set a precedent, where future contestants are chosen more for their number of followers than their artistry. This change could alter not only the atmosphere of the school, but also the very nature of the competition, shifting attention from artistic values towards marketing and personal image management.
The debate also extends to the role of teachers and jurors within the program. While popularity may seem like a double-edged sword, it represents a significant business opportunity. The current situation invites us to reflect on whether the producers and mentors are truly focusing on what is best for the program or whether they are allowing themselves to be influenced by the commercial appeal of an already established artist. A change of this magnitude could potentially compromise the original mission of Amici to discover and formalize new talents in the Italian music scene.
Diego’s future in school
With the entry of Diego Lazzari into the school of Amiciexpectations rise and the spotlight focuses on the young artist. Despite the controversy generated by his pre-existing notoriety, teachers say they are optimistic about his musical potential. Rudy Zerbi, in particular, has shown a strong interest in enhancing Lazzari’s abilities, focusing on him as a prominent element in his team.
Lazzari’s presence not only represents a challenge for the other students, but also an opportunity for him to demonstrate that, in addition to followers, musical talent is what really matters. The teachers are ready to test his abilities and push him beyond his limits, to see if he can combine fame with artistic qualities. This is where the challenge gets interesting: will he be able to transform his social media presence into an authentic and appreciable musical experience?
For Diego, the entry into Amici offers a unique platform to experiment and grow as an artist, away from the hype of social media. However, the young man will also face the pressure of having to prove his worth beyond his public image. It will be essential for him to try his hand at performances that can surprise the public and the jurors, so that he can reduce the gap between the virtual image and his real artistic abilities.
Additionally, Lazzari will have the opportunity to interact with other emerging talent, which could foster a challenging and competitive learning environment. This aspect will be crucial in determining his path within the school: will he be able to integrate into the group, sharing ideas and innovating his musical style, or could his previous fame isolate him from the other students? His commitment and attitude may be the keys to exceeding the expectations of those who judge him solely based on the number of followers.
In the end, Diego Lazzari’s future in the school of Amici promises to be full of challenges and opportunities. His ability to face competition within the school, combined with the desire to demonstrate his artistic value, will be crucial to his success in the talent show and to his credibility as a musician in the Italian music scene.
