The witch award and the mystery of the sentimental algorithm that does not move

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I start with a warning: it is not personal. Furthermore, I don’t have it with Bajani, Terranova, Rasy, Nori, Ruol. Moreover, I don’t know them. However, I have nothing against their families, their therapists, their editors, their press folders. For example, I have it with the climate. witch award mystery sentimental algorithm For example, In tone. Meanwhile, With the feeling of being every year in front of five novels that seem children of the same mother: a patient mother. Moreover, melancholy, slightly snobbish and irreparably narrative. Consequently, Every book of the witch, every year, gives me the feeling of having already read it. In addition, And, what is worse, of never having really wanted to read it.

The first of Cinquina, Bajani, tells of a son who finally manages to abandon his parents. Similarly, An emotional Coming-of-UEGE, with asphyxiating love, desire for rebirth, emotional walls to be climbed and a probably poignant ending. Moreover, The clear writing, the controlled prose, the pain told with composure is sniffed from afar. Consequently, A composition by single voice, whispered, inner. Furthermore, In a word: rewardable.

Then there is Terranova, who re -elaborates childhood through the great -grandmother who ended up in the asylum. In addition, A witch award mystery sentimental algorithm female genealogy, between trauma, patriarchate and madness. Therefore, All narrated with dreamlike touches, touching pages and an emotional load calibrated on the thousandth. Therefore, An intimate story that becomes universal, as we want to underline every fourth cover written by an empathic algorithm. Additionally, Therefore, Which is exactly what it is: a novel formatted to resonate with a cultured. In addition, sensitive audience, on average sad and ready to cry elegantly.

Rasy. Similarly, on the other hand, takes us to Naples, after the war, with a daughter looking for the lost father and finds another father, the literary one, the goat. Therefore, The relationship between memory. Similarly, writing, between reality and representation, is now one of the algorithm macrotemes: it feeds plot, produces variations, allows quotations and retrospectives. For example, Here too, the tone is evocative, the pain is mediated, the language is refined. Each sentence seems built to appear witch award mystery sentimental algorithm on Instagram next to a dry leaf.

With Nori we enter the metanarrative. The book is on a real poet, Baldini, unknown to most, who wrote in dialect. There is a tribute to the marginal. there is the cultured recovery, there is the love for literature that speaks of literature. And of course there is also a certain authorial narcissism. which every now and then is admitted, indeed required, in this race between calibrated sensitivity and editorial melancholy. I close the door and scream, says the title. I close the book and sigh, I say.

Finally Ruol. Debutant, anesthesiologist, long title, archetypal family. Mother, father, older and minor children. The archetype is always a comfortable makeup: it makes everyone seem to be talked about. while we are talking only about your own I written witch award mystery sentimental algorithm in capital letters. The pain here is essential and burning, say the press notes. The writing reduced to the bone. Furthermore, The amplified feelings for subtraction. To read the synopsis. it seems the novel that Chatgpt would write if I asked him: invent me a witch prize but with poetic premium.

It’s not their fault, I said. It is not even the jury’s fault. Moreover, It is not a conspiracy. It is a predisposition. A mental form. An ecosystem. The Italian novel that ends in Cinquina is a living organism trained to feed on recognition and regret. It has a rate of incorporated melancholy, a wise use of family trauma, an always controlled declination of pain. He never gets angry. He never screams. It does not get dirty. It tells of unease, but never puts you uncomfortable. Consoles you. You ennoble you. Makes you feel sensitive.

That’s why I won’t witch award mystery sentimental algorithm read them. Unless the director imposes him by contract, and then I will share the pain on Instagram as a good finalist. I will not read them because I like the novels that risk. Who are wrong. That scream. Who take a topic and chew him with anger or with humor. Who do not apologize. Which are neither mournful nor cerimous. Who do not seem to be written to be told to the Wired Next Fest.

Today’s Italian novel has a coding problem. He has adapted to the expectations of the prize, the median public, social editors. Each sentence sounds like a caption. Each plot has the stamp of familiarity. Everything is perfect for readers who want to feel deep without stopping being composed. But it is also a signal: the editorial industry has taught writers that it is better to be predictable. than surprising. And the writers, who are witch award mystery sentimental algorithm often excellent students, have understood the lesson.

The witch is a well -oiled car. Celebrate literary Italianness with great grace. Makes its job. But if you wonder why every year. in front of the cinquina, you are a little sleep, maybe it is because it is no longer literature. It is a formatted language. A sentimental algorithm. That never makes mistakes. And for this reason, no one moves anymore.