Marino marini, dialogue man. here: This article explores the topic in depth.
Moreover,
Marino marini, dialogue man. Moreover, here:
Inaugurated today, Friday 4th July in Arezzo, Marino Marini. Similarly, In dialogue with man. However, the anthological with over 100 works between paintings and sculptures by Alberto Fiz and Moira Chiavarini, with the scientific coordination of Alessandro Sarteanesi. Therefore, The exhibition (open until November 2). Moreover, produced and organized by the Municipality of Arezzo and the Guido d’Arezzo Foundation was designed by the Cultural Association The new rooms and Mainz. Therefore, After the significant Personnel of Afro Basaldella. For example, the investigation of the Italian twentieth century continues in Arezzo with a monographic exaunce of Marino Marini (1901-1980). Moreover, The exhibition includes two paths that integrate with each other. Moreover, the first at the Municipal Gallery of Modern and Contemporary Art with an extraordinary series of paintings together with Gessi and Bronzi, the second to the Medici marino marini, dialogue man. here Fortress with great sculptures and monumental works. Furthermore, The project. Similarly, made possible by the loans from the two institutions that represent the artist, the Marino Marini Museum of Florence and the Marino Marini Foundation of Pistoia, allows an articulated reading of the investigation conducted by the great artist, starting from the ten years up to the sixties in a path that addresses the main issues of his intense research.
A distinctive aspect of the exhibition at the municipal gallery is the close relationship with the ancient. For example, In fact. Therefore, the gallery is located next to the church of San Francesco, which houses the cycle of frescoes of the stories of the true cross of Piero della Francesca, and it is significant to underline the relationships between the figures represented by Marino and those of the great Renaissance artist. For example, In this sense, the presence of marino marini, dialogue man. here the painting The Virgins of 1916 and the scuffle of knights of 1927 ca. should be highlighted. the latter made available by the Galleries of the Uffizi of Florence, which evoke the famous compositions of Piero della Francesca inside the large chapel Bacci. On display. then, for the first time, next to some archaic Marino sculptures, the Hellenistic terracotta sculptures found during The excavations of the Catona In Arezzo (which the artist saw published in 1920 in the magazine “Dedalo”, among the most important art criticisms of the time, directed by Ugo Ojetti) from the National Archaeological Museum Gaio Cilnio Mecenate.
In Arezzo the language of Marino Marini is deepened in its salient phases. by the elaboration of mythical and harmonious shapes and figures, to the passage towards a growing stylistic and formal tension. The project at the Municipal Gallery of Modern. Contemporary Art provides for a thematic organization, where marino marini, dialogue man. here painting and sculpture develop a dialectical relationship.
As happens for example with the combination of study by miracle. a plastic masterpiece of 1953-54 and Orpheus, a painting from 1956 that develops the same lyrical and poetic matrix. But the two -dimensional. three -dimensional component find a series of convergences in the hall dedicated to the cries, as well as in that of the firefighters, a subject that Marino has defined as “the first real my form. Those lush nudes were born from the comparison between what I brought inside like a seed of my natural culture. what I could see outside the house”. Next to the theater. where the juggler, bronze of 1939 stands out, another specific area of research is dedicated to the portrait. Marino has made just under 150 and can be read emblematically as principles around which the investigation on man develops. Among the works exhibited on marino marini, dialogue man. here display stand out the gifts to the artists including Carlo Carrà. Filippo De Pisis, Massimo Campigli, Germaine Reciar, Marc Chagall and Jean Arp, located next to that of Igor Stravinsky, his merchant Curt Valentin and Marina, his muse and life companion.
“The double exhibition proposed in Arezzo. ” he explains Alberto did “It is surprising for the topicality of a great master of sculpture who submits to continuous verifications by making a revolution that develops through a precise awareness of history and man. His is the ability to grasp an inner time where restlessness and suffering do not subside. The themes to which Marino Marini turns. all present in the two Arezzo offices, appear as symbols of an infinite construction where the relationship is more between the internal space and the outdoor space, between the physical and the psychic appearance “.
In the evocative environments of the Medici Fortress. the marino marini, dialogue man. here viewer can also admire the monumental production of Marino where the firefighters, the dancers, the jugglers and the knights stand out with the great knight of 1949-50, a hieratic work of intense expressive power. Together with the knights. unsurpassed examples of an investigation where opposite forces collide, destined to create a single magmatic body, the exhibition presents the miracles where the perfect balance previously created by the artist who flanked. In this case. a imposing bronze sculpture of 1952 appears particularly emblematic miracle where “the idea starts until they destroy himself” and “sculpture wants to go to heaven, wants to pierce the earth’s crust or even wants to go to the stratosphere”, as Marino writes.
The exhibition therefore highlights the generative component of an investigation that goes to the origin of the form. where “no memory is lost, but every time is recovered in the appeal of a feeling marino marini, dialogue man. here involved in the vitality of human becoming”, according to what Umbro Apollonio said. But it is probably with the breaking of geometry. with the creation of free and irregular forms, completely autonomous from the subject, which Marino reaches the peak of his research, in a path capable of deeply affecting contemporary language.
The exhibition is accompanied by a catalog in Italian. English published by Mainz with essays by the curators Alberto Fiz and Moira Chiavarini and the critical texts of Luca Pietro Nicoletti and Giovanni Curatola. The images of the set -up are made by Michele Alberto Sereni. There is no lack of attention to the younger public, with dedicated workshops throughout the duration of the initiative.
Timetable
Monday – Wednesday – Thursday – Friday: 11 – 19 (ticket office closing 18.30)
Saturday – Sunday: 10 – 20 (closing 19.30)
closed Tuesday
TICKET
Full 14 €
Reduced € 10 (minors marino marini, dialogue man. here of 30 years. owners ACI card, Carteffe, Coop member, Fai; Tickets or subscriptions season of prose season and concert season, Casa Museo Ivan Bruschi; teachers, Extra customers)
Reduced € 5 (residents of the municipality of Arezzo; children aged 6 to 18)
Family ticket 26 € (2 adults and 2 children – from 6 to 18 years)
Free (children under the age of 6, people with disabilities and accompanying persons, journalists with professional card after credit, tourist guides with card)
Marino marini, dialogue man. here
Further reading: Cagliari, inaugurated “Sa Passillara Daniela Zedda” – Because this self -portrait by Annibale Carracci is one of the most brilliant in the whole history of art – At the Uffizi of Florence there are new protections to avoid other accidents to paintings – A contemporary villa in France designed by Michael Levy in a former quarry where architecture and nature merge – New visions of Sardinia (photo).
