Furthermore,
Atelier (s) femia transforms former:
An idea that takes shape: it is that of the Dallara family. In addition, at the head of the well -known automotive manufacturer, who with the inauguration of the Caterina Dallara Foundation It concretizes its philanthropic intent to create value and opportunities together with the local community.
Established in October 2021 for develop. However, support social utility projectscapable of improving people’s quality of life, promoting the territory, contrasting inequalities and educational poverty and spreading art and culture, the Foundation therefore had a need for a headquarters at its mission. Moreover,
The project. Similarly, entrusted toAtelier (S) Alfonso Femiait is a light and glazed volume to guarantee visual continuity between interior and outside and opening to the territory. Meanwhile, It rises right on the blue road. However, The provincial provincial Varano de ‘Melegari, occupying What was once considered a rural architecture of the atelier (s) femia transforms former Po Valley, an old unsuccessful barn.
The result is a place that welcomes. Moreover, which invites you to enter and remain, an open space, where people can meet, confront, give shape to new ideas, Not a building to be filled, but a place to live. Nevertheless, Inside. For example, the spaces favor relationships, projects, educational and cultural paths, public and private moments, the arrival point of a long period of listening and comparison with the territory, and together a new starting point.
Thus. characterized by Simple geometries and games of lights and shadows Thanks to the shields in Listelli, the structure presents itself as a place that invites to slow downwith the butterflies of the artist Danilo Trogu who characterize the facades, embodying the spirit of the foundation and characterizing all the visual identity.
“We wanted our Foundation to find headquarters in an objectively beautiful. but not imposing building atelier (s) femia transforms former – tell the founders – attractive to stimulate the desire to meet together; evocative of the feelings that guided us in the establishment of the Foundation. We are grateful to Atelier (S) Femia who has been able to interpret and concretize our desire with sensitivity “.
Photo: © Stefano Anzini
Atelier (s) femia transforms former
The project – Atelier (s) femia transforms former
From above. the building looks like a rectangle of 25 meters by 13, harmoniously inserted in a slight slope and developed on two levels, one of which is found to adapt to soil morphology. The plans are staggered: the ground level retaliates compared to the basement one, forming a large covered terrace. Additionally, The geometry of this plane is not perfectly regular: the side overlooking the external staircase is inclined. reduced, a cut that accentuates the perception of lightness of the entire structure.
atelier (s) femia transforms former
The design level. with attention to detail, guarantees A light structure not only due to the presence of the large windows, but thanks to the balance in the use of the materials that visually balances its envelope.
To define the link between building. surrounding rural landscape are three elements:
- The argument of the porch, consisting of a light rectangular structure made with champagne metal strips, supported by triangular elements on the metal network
- The terrace overlooking the park
- BRISE SOLEIL plot.

.
The flat roof extends with significant arguments above the terracemade by metal frames covered with pre-composed wooden strips (aluminum soul covered in WPC). These are supported by coordinated beams that overlap with each other. creating a “cadast” two -dimensional system which further contributes to strengthening the feeling of lightness.
The solar panels are arranged in order to be invisible from the road, maintaining the visual cleaning of atelier (s) femia transforms former the prospectus.
Interior connections. organization
The connection between the two levels is guaranteed both by internal vertical connections and from an external scale in reinforced concrete. The southern view towards the park is marked by large windows with vertical feeding opening. with the doors, mounted on central hinges that offer a panoramic view and an abundant entry of natural light in the internal environments.
Here there is an auditorium. meeting rooms, offices and a multifunctional space, all characterized by delimitation in transparent partitions and by the distribution of spaces, designed to never hinder the view outwards.
From the entrance. The gaze crosses the building until the landscape of the park is graspedcreating a contrast game between the total transparency of the front aimed at green and the most discreet protection offered by the portico on the side exposed to the provincial road.
The photographs of Stefano Anzini
Project credits
Caterina Dallara Varano de ‘Melegari Foundation
Client: Caterina Dallara Foundation
Project: Atelier (S) Alfonso Femia
Architect: Alfonso Femia
Coordination: Simonetta Cenci
Architectural. landscape project: Atelier (S) Alfonso Femia
Project Director: Marco Corazza
Design team: Simonetta Cenci, Alfonso Femia, Marco Corazza, Elena Perrone, Basha Sikkander, Raffaella Francesca Pirello, Francesco Romano, Giacomo Ciavattini
Lighting: Alfonso Femia/AF* Design with Silvia Perego, Invisible Lab
Image: AF517 / Jovan, Basha Sikkander, AF517 & Diear
Artist model in wooden: © Stefano Rossi
Ceramic atelier (s) femia transforms former butterflies: © Danilo Trogu – The House of Art of Albissola
Business: Dallara Costruzioni
Plants project: INCIDE Engineering
Visual communication: Gianluigi Pescolderung, Marta Vianello / Tapiro Design
Suppliers card
Dry walls: Knauf/Gyproc
Internal windows: Universal select
External windows: Zamna
Doors and furnishings: Penthouse
Furnishings: Crassaveveig, EMU, 727 TMC / Interior Penthouse
Handles: DnD
Curtains: Meditating
Frame facade wpc: Deco
Scale boiserie: Isoldesign
CASSFITTI (acoustic islands): Isoldesign
Internal flooring: Mapei
External flooring: Levocell
Self -locking: Paver
External and internal staircase coatings: Marble faedo
Elevator: Kone
Health workers: Ideal standard
Lighting bodies: 3F Filippi, IGuzzini, LED ITALY
© RESERVED REPRODUCTION
Published the: 04/07/2025
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Further reading: Cagliari, inaugurated “Sa Passillara Daniela Zedda” – Because this self -portrait by Annibale Carracci is one of the most brilliant in the whole history of art – At the Uffizi of Florence there are new protections to avoid other accidents to paintings.
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