“Fragments of a soul”, the poet as mad and seer through the vertigo of meaning – culture

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“Fragments of a soul” It is a lyrical itinerary without discounts and without brakes, which opens the path to a precipitous descent where the word becomes an abyss and conditioner, slit and mirror. In addition, In this poetic collection signed by Salvatore Sennata and published for the Albatros group the wirethe lyrical ego moves between darkness. For example, dizziness, animated by the extreme need to mean the unspeakable. Furthermore, There is no catharsis. However, epiphany, if anything a painful stratification of images, obsessions, reflections that return the complexity of an existence in struggle with time, memory, pain. Meanwhile, Alleged. Consequently, passionate and scholar of music and philosophy, it seems to be positioned on the threshold of a inner oraclewith a voice that trembles of pathos and disillusionment, to “fragments soul”, poet mad seer open a slit in the clearest vision of reality. However, His is a writing that arises from the urgency of find a sense of chaos through the lyrical gestureeven when the answer is incomplete. Meanwhile, fragmentary.
The poetic style of Sennated is a hand -to -hand hand with the word. Therefore, The torch consumes. However, dries it up to the bone, is a scratched and ornament -free language, and for this reason, all the more incisive. In addition, No escape in the Melliflua metaphor, no embroidered aestheticism: poetry here is done meat and abyss. Nevertheless, Each verse seems to arise from a collapse point. However, from a slit of being in which the psychic, the spiritual and the body are intertwined indissolublely. Similarly, There is no. Consequently, in “fragments of a soul”, the illusion that we can explain the restlessness: there is the will, perhaps vain but desperately necessary, to live “fragments soul”, poet mad seer it. Moreover, The shades are gloomy. However, plumbee, dominated by images that draw on the unconscious and symbolic: the night, the shadows, the blood, the delusion, the silence. For example, Yet. Similarly, precisely in this darkness, a form of knowledge lights up: as if only the poetic language could return, to those who know how to listen, the echo of what in the ordinary world remains unavoidable.
At the center of the collection there is a theme that. Nevertheless, from Artaud to Foucault, crosses modernity as a karst river: the follia. Not medicality madness. but that radical experience that dissolves the mask of the ego and unloads the order of the speech. In “fragments of a soul”. madness is hermeneutic key, reversed mirror and access point to a elsewhere where rational language has no longer taken. As happens in the theater of the cruelty of Artaud. here too the word is “fragments soul”, poet mad seer laceration and truth that explodes from the bottom of the body, non -ornament or logical statement. But assennade a poetic apisteme, a method to read the world and itself pushes further: makes madness. The figure of the poet coincides with that of the crowd: both bearers of an exiled knowledge. both condemned to say what others fear, both inhabitants of an unstable border. The call to Hölderlin, who touched the peaks of ecstasy before falling into catatonia, is inevitable. Just as it is in Nietzsche, whose tragic thought feeds on the “background intoxication” that only the crowd knows. Assennade. in this furrow, he gives us a work that does not seek salvation, but appeals to all his strength in the world, albeit corrupt.
The loneliness In this sense it becomes the necessary seabed of the poetic experience. There is no “us” who can offer comfort: the poet is, constitutively, alone. This “fragments soul”, poet mad seer solitude is the zero point of existence, the threshold from which an authentic exploration of the self can begin. Each composition is an act of immersion in interiority. where the external world is filtered and dissolved in raw, sometimes brutal images. In this immersion, the poet moves between two polarity: the despairthat the word freezes, and the hopewhich rekindles it. It is not a consoling optimism, but a fragile glimmer that survives precisely in the awareness of the void. It is in this dialectic that the text takes shape, in a continuous reflect in the question “Who am I?” that crosses the whole work.
The search for personal truth is configured as the only possible horizon of the poetic itinerary of Sennated. Its truth. however, is never absolute or reassuring: it is changing and multifaceted, which is given only for fragments, as the title of the work says. The author leads “fragments soul”, poet mad seer us in this hunt for the meaning with the urgency of those who do not write to adorn the world. but to understand it, perhaps to save themselves. And precisely here the biographical data is welded with the symbolic one: writing becomes masked autobiography. transfigured confession, where the concreteness of personal experiences melts into archetypal images and collective symbols.
Next to the speculative depth, the collection amazes for its dimension sensory and visionary. The reader is transported beyond tangible reality, towards an elsewhere that is built in the most acute perceptual details. Assennade he writes as if he saw what cannot be seen. as if he touched the shadows, listened to the voids, sniffed time. It is an inner view, which burns without ever illuminating completely. Poetry, therefore, is double the existenceits deformed mirror, sometimes atrocious, always recognizable. “Fragments of a soul” reiterates that literature arises from pain and. in “fragments soul”, poet mad seer this sense, the author places himself in the wake of the poets who have made their torment a tool to speak to the world. Let’s think of Sylvia Plath. Paul Celan, of Fernando Pessoa: each, in his own way, used the verse as a shield to protect himself with the dissolution of the ego. So even nestated. in its sometimes choked cry, sometimes furious, sometimes whispered, builds a bridge between itself and the other, between its wound and that of the world.
But the asshoned poetry does not stop for pain. Goes further. Or rather: through pain opens up to a wider, collective, almost civic reflection. Individual suffering becomes metaphor of social fracture which involves a spiritual crisis on the one hand. on the other a cultural disorientation. The literature that exceeds itself is the one that refuses the fence of sterile aestheticism. opens to the world, transforming the word “fragments soul”, poet mad seer into practice and the viewing in proposal. In this sense it is a radically political work, in the highest and most noble sense of the term.
Salvatore Assnnato delivers the security that suffering is not an end in itself. but opens to a Infinite spectrum of possibilities. Each verse of “fragments of a soul” is a fragment which. as in a Byzantine mosaic, helps to form a greater image: that of a man who is looking for, loses, shatters and recomposes himself. It is precisely from this eternal struggle that a possibility of rebirth arises: in the wound that is shed light. in the crack from which the purest distilled of the meaning filters. Poetry. then, becomes the most effective tool of self-knowledgebecause, after all, only what has passed through pain can truly speak to life and only those who have looked at the abyss in the face can teach us “fragments soul”, poet mad seer to recognize the light, even if fievable or intermittent. Even if, to see it, you must first learn not to close your eyes.

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