Sia is Sia (and Taylor Swift, Dua Lipa, Beyoncè are not shit). With the new Reasonable Woman the Australian opens new avenues for pop… – MOW

Sia is Sia (and Taylor Swift, Dua Lipa, Beyoncè are not shit). With the new Reasonable Woman the Australian opens new avenues for pop… – MOW
Sia is Sia (and Taylor Swift, Dua Lipa, Beyoncè are not shit). With the new Reasonable Woman the Australian opens new avenues for pop… – MOW

TO wanting to see it keeping art aside, but it would be a gross mistake, because pop, if done well, is art, and how, and here we are talking about great female artists, without ifs or buts, one could say that the operation carried out in the years, an operation that has had in people such as Madonna, first, Britney Spears and Christina Aguilera, then, but I’m really cutting the grass with the big scythe, as they aren’t doing in Milan in the public flowerbeds, but that’s another matter, it was to first create a gigantic user base, go looking for it door to door and build loyalty, and then divide it up starting from diversification, parcelling, I’ll take this slice back, I’m talking about graphic designers, you that. Without bothering each other too much, hence being able to then invade the market at the same time, certainly jeopardizing new records in terms of weeks at the top, but at the same time certainly going to keep their audience and also part of of the casual one, disinterested in these hypothetical feuds. Perfect recording operation, which goes, miraculously, hand in hand with the quality of the products, I’m more noticeable if I come and dance on a table, next to all the others. Also because, let’s get to the discussion which in theory should have been the heart of this writing of mine, in the midst of so many gigantic pop stars, each with their own precise style, each with their own defined imagery, each with their own aesthetics studied down to the smallest detailright on the day of Dua Lipa and his Radical Optimism, has arrived, in the unavoidable opinion of the writer, atalso the new album by the one who, together with Lady Gaga, is undoubtedly the most brilliant and talented of all this brood of great artists. A giant so gigantic that he can afford not to fit into any of the current aesthetic canons, or rather, not to fit into the aesthetic canons at all, hidden as he is wont to do under very oversized wigs, no longer even the presence of his mini-me, read at name of Maddie Ziegler, now over twenty years old, unable to take on the role of the dancing child alter-ego again, the last time together, for now, when she starred in the much discussed film on autism that SIA wrote and directed, entitled Music. Regardless of whether she literally decided to disappear, while at the time of Zero 7 she was clearly visible, in the age of Instagram and TikTok her features and almost her body have been lost, one of the rare times she showed herself without masks she also did it without clothes, when years ago, when she was paparazzi while she was bare-bottomed on the balcony of her hotel room, instead of praying that the paparazzi photo would not be published, or perhaps paying for it not to be published, she thought well of publishing it on social media herself, making the attempt to make a scoop out of it futile. However, her face remained covered once again, unlike her ass, great Sia.

 
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