The moment the complete spoilers on Jujutsu Kaisen 260 were leaked online, it was immediately clear how all the attention, conjectures and reflections of the readers were destined to focus on thefinal image of the chapter: which, from whatever perspective you observe it, seems to be loaded with one truly historical value.
To fully understand the value of the table on which the new issue ends Jujutsu Kaisenit is first necessary to shed light on the instances (and, if we want, on the sensations) that Gege Akutami he proposed to us during the two hundred and sixtieth chapter of the manga. Here the King of curses, before that All suddenly materialized on the battlefield, he had never truly lost control, nor did it seem so so openly helpless as it appeared in this moment: to the point that all the characters defeated by Sukuna during the Culling Game of Jujutsu Kaisen met their demise – or stopped fighting – in an almost natural way, as if the villain could not be subjugated in the slightest by the invectives of sorcerers evidently inferiorin terms of potential, to the enemy.
But the evolutions to which Todo has destined his Boogie Woogie here, and thevery high degree of unpredictability which his cursed technique is now characterized by, have led Sukuna not only to remain inert in the face of his opponent’s offensive schemes, but to constantly lower his guard, like never before. And in the very moment in which Yuji, assisted by the moves of his brotherly companion, penetrated the villain’s body with yet another explosive Black Lightning, the King of curses found himself on a point of no return, in poised between defeat and definitive oblivion. So much so that in his “lowest” moment he tries, in vain, to activate the Domain Expansion again, and then find yourself blocked by a hellish visionif not downright ghostly: on which Akutami closes the chapter.
As suggested by the omniscient narrator, the “silhouette of the most powerful ghost that Sukuna previously buried, and whose eyes are unmistakable”, thus presaging the return, after numerous chapters, of Gojo Satoru. And the final cartoon on which Jujutsu Kaisen 260 ends does not seem to leave any doubt about it: the man has silver hair, just like that of Yuji and companions’ iconic teacher. Yet his vacant gaze, combined with the “ghostly” atmosphere that runs through the entire image (characterized by vapors and fumes that partially hide the face of the revived sorcerer) suggests theabsence of any humanistic connotation from the shaman, almost as if he had returned in a ghostly form.
This is a factor on which Gege Akutami will undoubtedly hinge a good part – if not all – of his ideas future plots of the workand on which light will be shed shortly, since the Jujutsu Kaisen chapter 261 – unless there are sudden denials – it will not be preceded by any weekly break.
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