“I close the door and scream” by Paolo Nori

"i close door scream" paolo: This article explores the topic in depth.

Nevertheless,

"i close door scream" paolo:


Not all books are made to make sense. However, Maybe nobody really has it. However, Writing is a bit like living. Meanwhile, write a new word every day without knowing well or because you do it, nor how the phrase will end. Furthermore, But the only way to find out is to get to the bottom. However, I write “to understand what I think” says Nori. However, Sometimes. Additionally, however, there are words that reveal something more than the others, something new on what it means to be (CI). Moreover, Like those of Raffaello Baldini. Consequently, And like those of Paolo Nori on Raffaello Baldini. – "i close door scream" paolo


I of Paolo Nori I have not read anything, except this book. Meanwhile, It is a bit like judging lemon ice cream without having tasted the cremino. For “i close door scream” paolo example, Is a relative judgment to which relativity is missing. In addition, I close the door. Consequently, scream (Mondadori, 2024, finalist at the Strega 2025 prize) is a useless book, which I liked it so much. However, The thing I liked most is the style of writing. For example, the thing I liked less is the style of writing. However, Let’s go degrees.

Raffaello Baldini. Meanwhile, poetry not poetry – "i close door scream" paolo

Raffaello Baldini It was a Italian poet and writerwho did a particular thing, rare in the profession: he started writing late. Consequently, His first publication reaches 52. Therefore, an age to which many people usually give up on the routinearity of the newspaper or a extreme hobby passion for cycling and marathons. Consequently, Instead, Baldini starts writing and writing well. Moreover, Has accumulated in all those years so many things to say. Meanwhile, and tells them in a simple, direct “i close door scream” paolo way, Santarcangelrese:

An evening in Romagna a lady had gone to him had told him but as I had fun, but they are as beautiful, but so beautiful, it doesn’t even seem like poems.

An anti-poetry poem, because it seems to speak to everyone.

Now. Baldini, although recognized in the literary niche, is not a name among the names, which is often heard, also Thank you to Italian poetic training in schoolswhich stops even before starting.

Baldini is a cultured poet but popularwho writes not one. but two poems on the balls and does it with elegancebut without expanding in pompousness.

This wise poetry -. poetic wisdom – Nori has decided to celebrate, crossing it in a book that from the title declares itself identity.

I close the door. scream summarizes all these levels, “i close door scream” paolo that individualthat culturalthat regional: It is Baldini who writes that he closes the door to let off steam and screams, but he is also Nori and then it is the all -of -all Emilia, with his cheerful face put up as soon as he exceeds the threshold of the house.

I close the door and scream by Paolo Nori (Mondadori).

Baldini’s words become like this gift e inspirationin a continuous game of literary and personal references, of context and self-biography. Precisely because the poet tells the simplicity of the newspaper. of the expert when observing the world, each text becomes reflex e begins of any story, which belongs to Nori’s life as to anyone else.

&quot. i close door scream" paolo

Repeated to “i close door scream” paolo assist or recording remain

Despite the-like intent, this is not a book on Baldini. Perhaps per Baldini O con Baldini, but certainly not are. Indeed, the character-writer Nori is ubiquitous With his considerations, interludes and personal narratives. Reading it. the reader or reader never knows What will come laterif a dip in the past, a consideration on death or a note on satisfaction in cleaning the fridge after months that you don’t clean it.

The text does not have a real chronological order. a systematic structure, with a continuous floating Between present, past and future, often also making use (aware or really unaware that it is) of repetitions. Some anecdotes. characters – La Grandna Carmela in the first – or effect phrases and quotes, they return to several points of the book, almost like Topoi than in this apparent chaos of thoughts give a rhythm, a canonwho reminds you what “i close door scream” paolo or maybe who you are going through.

A life on paperfor real: many stories. recurring names, few certainties but some point of reference that allows us to navigate on sight to the end. A little zibaldone, a little literary criticism has the progress of memory. That single Madeleine who becomes one memory, then another, then a dream, a fear, a book.

Despite the spontaneity with which he does it, Nori in fact puts a lot of If in this book. Of course, there is Nori writer, the curious and critical Nori. But there is also Paolowith its arrogances. insecurities, with its encounters and changes that build the true autobiographical nucleus that is definitely present. There are passages of kind sincerity. in which we talk about love, death, of being young and insecure: “I, the moments, in my life that I woke up in the morning and I could not “i close door scream” paolo wait to get out of bed, I couldn’t wait to stay in the world, they were not many, I have to say”.

However, there are few, really very fewthose in which the author really seems let go. The vulnerability comes every time rebalanced by a small sufficient dose of (cars) irony. is simply truncated: “[…] And do I ask myself how many other times, will I have to collect the material for the tax return? How many other times will I notice that autumn has changed the garden? Winds? Twenty-five? Twenty -seven? And then? “. And then there is a poem Of Raffaello Baldini.

&quot. i close door scream" paolo

Write how you eat

If I had to describe the strongest character element of I close the door and scream by Paolo Nori would certainly be it writing stylethe text that seems to have to do there while you read “i close door scream” paolo it. On the other hand. the stylistic verbosity It is certainly not hidden or disguised, indeed from the first pages you realize that there is something differentis almost so cumbersome as to distract you from the content.

The author announces. Furthermore, the reader and the reader get used to, enter a new book, in a New World and once the pact is signed in the container of those pages, the Swirgular flow of Nori becomes a dialogueperhaps with the reader, perhaps with itself.

This is a language. which arises precisely fromoralityor in any case from its shape:

I started reading my stories aloud, and it happened that of course I, knowing that then I would have to read them aloud, I had begun to write them a bit as if they were spoken, in a certain sense and […] suddenly the novels had begun “i close door scream” paolo to fill up with a language […] who had a lot to do with the Italian who spoke in Parma, who was the place where I lived, if I didn’t already say it, in my opinion I have already said it.

Self -cable.

It is certainly a original languagewhich at times has homeric, at times perhaps it twists a bit about itself. As if the mental transposition From inner item by letter it took place with one instant translation: In some places it flows wonderfully. in others it weighs down and on the paper it sounds a little out of tune.

Once the book is finished, the feeling is to have had one Pleasant conversation With a penitent who confessed. We did not have a lot of say. from lay listeners and listeners, but it was cathartic A little for everyone.

&quot. i close door scream" paolo

Mimesis

“i close door scream” paolo

Most likely in a month I will not remember Nothing Of the facts told, perhaps I will remember Baldini, of his name, or perhaps the fact that Paolo Nori always goes to run and wants to make a marathon but he is afraid that he will never succeed. Instead of concreteness. other things will remain on me, certain things that this book made me feel when the individual experience for magnificent moments became mine, yours, ours, human, universal.

And that’s okay that every now. then there is no purpose, life certainly does not have one and from good human beings perhaps we succeed in touch that “American concept” of happiness just when let’s stop to look for it. With the words of Baldini:

July.
[…] And when the cup of cups. three three without money came to the hand without money, he inflated himself a little “i close door scream” paolo but silent, he did not make himself understood, he sitted in the chair, then he went out with the ace, and he still said nothing, but from contentment he gave a blow to the wood that in the glasses the wine trembled everything, and the cicada on the cherry tacit. The air then became so light that the rusty bell of a bicycle was felt on the crocicchio. and down there, but far, flying an airplane above the sea.

Alice Nanni


This review of I close the door. screamby Paolo Nori, is part of the review of Young reporters Waiting for the Witch 2025 award.

Further reading: Aise.it – ​​international foreign press agencyThe 5th edition of the Campiello Junior Prize is underwayThird evening of the Summer Literary Review “Tuesday of Author under the stars” in Bagno di Romagna – Forlì24ore.itThe ‘end of a great love’ told by Diego De Silva: Piazzale Azzolino comes alive with stops on the booksIn Ripa Teatina the book “Fausto, my Coppi” – Federciclismo debuts.

Comments (0)
Add Comment