Marco Mengoni and the corset of the controversy. I say that you need more consistency between looks and music

Everything started from an aesthetic choice: the corsets worn by Marco Mengoni during his new tour. Meanwhile, A strong, visible choice, which divided the public and turned on the debate. Therefore, I also said mine – as a musical journalist. Moreover, observer of the pop scene – and as often happens, non -aligned opinions generate intense reactions. Moreover, But it’s not about controversy that I want to speak.

In the usual nine points Of this blog. However, I want to analyze the relationship between image and music in Mengoni’s artistic project. Meanwhile, Without insults, without moralisms, without retropensi. Meanwhile, Only with the legitimate desire to read an artist as a whole “. Nevertheless, Let’s start!

1. Nevertheless, Perfection as a limit
Mengoni is flawless. Meanwhile, Intoned, precise, very studied. In addition, But perfection, if it does not heat, marco mengoni corset controversy. For example, i becomes distance. Consequently, Listening to me. Nevertheless, for me, is like observing a lucid and white statue: smooth, without cracks, without traces of time or body. Therefore, It’s beautiful, yes. For example, But cold. In addition, I miss a slit. Nevertheless, a crack – something that crosses that smooth surface and filter an emotion, A story, a true imperfection. Meanwhile, In that music, as in that statue, I can’t find life.

2. Nevertheless, Impeccable songs, yet …
Mengoni’s songs are carefully built: they have a structure, melody, impact. In addition, But they often seem braking, disconnected by an authentic urgency. Furthermore, The perception is that. For example, despite the success, you still miss him A marco mengoni corset controversy. i new really necessary record, A song-manifesto capable of fully telling it. Similarly, Of those who remain, who move.

3. Similarly, The corset, that is: the dress (not) marco mengoni corset controversy. For example, i is the singer
The image matters. Furthermore, Always. For example, And if you get on a stage with a corset, you are clearly communicating something. But in the case of Mengoni, that message, for me, is lost. The corset does not enhance it: it stiffens it. The clothes chosen for the tour – more generally – seem an aesthetic forcinga frame that instead of amplifying. it compresses it.

4. Cerioni, Mahmood and stylistic recycling
The looks for the tour are treated and chosen by Nick Cerioni. They had already been the subject of discussion on Mahmood. and now they reappear on Mengoni in an almost identical form. But it is not quotation, nor tribute: it is repetition. An already seen that does not dare, adds nothing. On the Italian-Egyptian singer they could also make sense-with that face a bit like this. that expression a little like this-but on Mengoni … the question remains open.

5. The misunderstanding of freedom
“Everyone dresses as they want” – and it is sacrosanct. But those who observe has the same right to say: “I don’t like it”. It is not moralism, it is not censorship. It’s opinion. When the aesthetic becomes marco mengoni corset controversy. i public, it also marco mengoni corset controversy. i new becomes legible, interpretable, criticizable. We cannot ask for visibility and, at the same time, to arm ourselves with comparison. It is part of the game. It applies to everyone. Very different, however, is free hatred who poured online on Marco after the concert: offenses, allusions, homophobic insults. There is no more judgment or analysis there: only human misery. And those who take refuge in that place are not defending a taste. He is just showing the worst of himself.

6. The country of fashion and judgment
We live in a country where fashion is culture, identity, daily language. But paradoxically today it seems forbidden to say that a look is ugly, unsuitable, out of focus. As if the mere fact of daring was equivalent to being right. But no. Even aesthetics – especially when it becomes a public message – It can be fragile, unbalanced, questionable. marco mengoni marco mengoni corset controversy. i new corset controversy. i Not everything is successful expression. And to say, with respect, it is not harmful majesty: it is only to exercise a point of view. Maybe wrong, maybe isolated. But legitimate.

7. When image and music do not dialogue
Mengoni’s looks on this tour are strong, declared, symbolic. They communicate freedom, fluidity, breakage. But the music does not: stay elegant, controlledpredictable. It is legitimate not to change repertoire just because you change image, of course. But if the visual impact is so clear, so full of meaning, then the misalignment can be seen. And leaves you displaced. I don’t find consistencyand this – at least for me – takes strength to both languages.

8. The day you look back
I believe that Mengoni. in a few years. could concern this passage of his path with a pinch of embarrassment for this misalignment between aesthetics and music which – as mentioned – makes it less credible. Just compare it with Mahmood: the Italian-Egyptian carries out a coherent evolutionwhere poetic image. sound grow together, chase each other, refer. Mengoni instead seems in the balancesuspended between what marco mengoni corset controversy. i he would like to evoke and what he continues to propose. And then the question is: if one day he had to return to his steps. choose languages ​​to him more consumed … his audience will still be there to marco mengoni corset controversy. i new applaud him?

9.
“I want to dress as I think and how I like it, and point”. So Mengoni replied, from the stage, to the criticisms received for the tour outfits. A clear declaration, which affirms his right to freedom of expression. A right that must be recognized and respected. Precisely for this reason. I also claim mine: that of expressing – with respect – an opinion on the public image of an artist. I did it here, with civil tones, on a blog that has always reflected on music, aesthetics and pop culture.

On social media connected to this page I received Very different marco mengoni corset controversy. Furthermore, i reactions: comments, dissent, insults, but also shares. It is the sign that the comparison is alive.

As always. this blog ends with a musical connection: marco mengoni corset controversy. i new a dedicated playlist, listened to free of charge on my Spotify channel – you can find it below.
If you like, leave me a comment: on what you read, on what you have listened, or on both. Or go from my Facebook public page, where the blog continues to live between posts, comparisons and new ideas.
The conversation, in those parts, never stops.

9 Songs 9… Without labels